Artist Spotlight: Mark Tougias

Summer Reflections   20 x 24 oil
Summer Reflections 20 x 24 oil

Mark Tougias is a self-taught artist who has been busy painting since childhood. His earliest surviving drawings and paintings date back to when he was eight years old. From an early age he learned by studying the masters and at age sixteen he began exhibiting. Mark has exhibited in over forty galleries and has had over thirty-five one man shows. Among his numerous awards are the first Alden Bryan Gold Medal for best in show awarded in 2007 by the Bryan Memorial Gallery.

For those who may be unfamiliar with your work, how would you describe your art?

Thatʼs a big question! I like to think, and hope, that thereʼs a spiritual quality in my work. Something that goes beyond the non-literal. It may look like a pretty picture on first look but I want there to be more to it. For me the landscape is the vehicle for all kinds of human expression, emotion and spirituality. That could be still-lifes for somebody else, or it could be figures, for me right now itʼs the landscape. Iʼve always been an outdoors person.

Itʼs interesting that you bring up the spirituality of your work. In your biography you mention influences from: the Barbizon painters, American Tonalists, the Cape Ann School of Painters, and others, and its clear seeing a lot of those influences in your work. Some of those schools of painting, it sounds like they are trying to achieve the same thing as you through the landscape.

I think so, I think a good painter will try to achieve that either consciously or unconsciously. For me itʼs probably a little bit more conscious. It depends on the painting too. It might be a little more conscious that other painters, only because Iʼm not just concerned with a “pretty picture”. I donʼt know if my work reflects that. Iʼm not really free to judge, but I hope it transcends the scene. I have never been strictly a literal painter. For me there are a lot of other elements that come into play. Itʼs not an easy thing to talk about either because – how can you put these things into words? Although I do representational work Iʼm not a literal painter. Most of my paintings are not exact representations. Some are, and thatʼs OK. Others are changed around quite a bit to get the results that I want. Some are completely made up to get the results that I want. So Iʼm very wary of not just going out there and putting down what I see exactly all the time.

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