Eric Tobin is a painter from Vermont who aims to capture the beauty of the moment, the light, and the setting of landscapes. His love for Vermont can be seen in each of his works; evoking the feelings of the natural setting in which he chooses to paint. Most of Eric’s work is done outdoors, regardless of time of year, difficult setting, or rapidly changing conditions. He strives to paint the feeling of a place and particularly likes painting in the winter, spring and fall. Eric’s work has been shown in many New England galleries and is in private collections around the world.
For those unfamiliar with your work, how would you describe your art?
I would describe it as landscapes that are loose, semi-impressionistic. Years ago my paintings were a lot more poster-like. They had real hard edges. They still have a lot of contrast. I like sunny days with a lot of contrast, a lot of punch, but I think as I’ve painted, my edges have gotten a lot better, with hard edges, soft edges and disappearing edges. And then of course your color sense becomes a lot better. You become a lot more attuned to color variations and how they act upon each other subtly.
What are your goals in painting what you paint?
When I’m headed out to paint my goal is to have fun. I try to capture what I see. I try to get the light, and I look for something that excites me.
In the studio I just don’t get that excited about painting. Sometimes if I’m painting from a smaller painting doing a large one it’s OK, but still, outdoors it’s fresh and quick. You only have so much time so you just get the essentials and you don’t worry about the details. You get the big light and dark shapes, the contrast, and how one thing affects the other.
Usually I look for something that interests me – when I get to a scene I say “Why does this interest me?” That’s what I’m going to paint. If you start painting then you look over and you see something on the left that’s interesting and so you put that in, and you see something on the right and you put that in and before you know it the original plan is gone. You have to try and get to a site and ask what drew you to the site, what interests you and paint that. Let everything else be subordinate to that.
When you talk about getting to a site and what interests you, is it usually a subject, a pattern of light, a color…?
Oh it’s all of the above. One day you might go out and it’s the contrast and the color of the light, another time is the subject, another time it’s the lines. Sometimes a painting is about lines, sometimes it’s about color, sometimes it’s about shapes and then sometimes it’s a little bit of everything. Continue reading Artist Spotlight: Eric Tobin