Charles Movalli Award for Excellence in Painting

By Mickey Myers

Bryan Memorial Gallery announces the Charles Movalli Award for Excellence in Painting to be presented at the 2018 Land and Light Awards on September 9, 2018.

Artist Dale Ratcliffe Movalli and sculptor Daniel Altshuler are pictured with a maquette for the Charles Movalli Medal for Excellence in Painting
Artist Dale Ratcliffe Movalli and sculptor Daniel Altshuler are pictured with a maquette for the Charles Movalli Medal for Excellence in Painting

The Award, a gold and copper relief medal of Movalli, designed by sculptor Daniel Altshuler of Gloucester, MA, is made possible by the Estate of Charles Movalli, with arrangements made by Dale Ratcliffe Movalli, his widow also of Gloucester, MA.  The Award will be presented annually over the next eight years.

Charles Movalli (1945 – 2016) was a friend of Bryan Memorial Gallery, dating back even before the gallery was in existence as he came here to paint in Jeffersonville, and maintained a friendship with Alden Bryan, whom he knew originally from Gloucester, MA.  Movalli and Ratcliffe juried an earlier Land and Light exhibition (2008), and he was a participating artist in several subsequent Land and Light exhibits, winning the Second Place award in 2011.

Known and esteemed both as a painter and a writer, Movalli grew up in the home of artists and was inclined to teaching about art from his youngest years.  Though earning his PhD in English from University of Connecticut, Movalli’s texts were most frequently about art.  In the course of his career, he edited nine texts on artists, and American Artist magazine published 80 of his articles.  He painted at least 5,000 paintings in his lifetime, and he was best known for his landscapes and marine paintings.  

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What his friends and fellow artists recall about him was his infectious enthusiasm for all the fine arts, especially architecture and opera, and his generosity in sharing what he had learned with others, through his writings, workshops, lectures and casual conversations.  Popularly called The Ambassador of Cape Ann, he maintained a vivid interest in the history of the Rocky Neck Art Colony in Massachusetts throughout his lifetime.

The Charles Movalli Medal for Excellence in the Arts has been presented at the North Shore Arts Association and the Rockport Art Association, both in 2017.  It will be presented in at the Bryan Memorial Gallery in Jeffersonville at the Gallery’s Annual Awards ceremony on Sunday, September 9, 2018.  

 

Georgia O’Keeffe: Art Image Style

A Bus Trip to The Peabody Essex Museum in Salem, Massachusetts
by Mickey Myers

George in capeOn behalf of the Gallery, we’ve got to admit, we’re smitten.  Last fall’s trip to the Chagall exhibit in Montreal proved the grass can be greener, if only for a day.  Travel to art destinations has been a particular proclivity of art institutions for decades, as it combines the expertise of curators who often serve as trip hosts, with specialized viewing arrangements, often organized by those curators.  The romance of an archeological dig, a cruise, a private collection can make a vacation not just any vacation.

When we realized a once in a lifetime exhibit of Chagall’s work was mounted just 2 hours to our north in Montreal, we plunged in, and never regretted it.  We were still talking about the joys of what we saw, and looking for the next place to go. . . when we found Georgia.

41dBhgNHV8L._SY344_BO1,204,203,200_Georgia O’Keeffe: Art, Image and Style, organized by the Brooklyn Museum, was
opening in Brooklyn, and traveling this winter to the Peabody Essex Museum in Salem, MA.  It’s a little farther away than Montreal, but it’s Georgia, who lives in our hearts, as the trailblazer for women artists in the 20th century.  Besides, this exhibit was offering a side of Georgia we did not know, as a stylist, seamstress and fashion icon.

So we hereby offer Bryan Memorial Gallery’s second foray into travel.  It’s still only a day trip, and we have yet to spend the night anywhere.  But if the excitement about going as a group of art aficionados gains strength from this experience, we’ve got a few ideas up our collective sleeves for the next trip.

Bryan Memorial Gallery in cooperation with Goodspeed and Bach Travel (of Burlington and NYC) presents Georgia O’Keeffe Art, Image, Style, a day trip to the Peabody Essex Museum in Salem Massachusetts for a traveling exhibit of art, photographs and fashion by and about the legendary painter, Georgia O’Keeffe (1887 – 1986.)

O'Keeffe Mountains 2Leaving from four locations in Vermont (Burlington, Jeffersonville, Montpelier and White River Junction) on Tuesday, March 27, the bus will depart in the morning, with Bryan Gallery Executive Director Mickey Myers providing an orientation to O’Keeffe’s artwork on route.  Upon arrival in Salem, Massachusetts, lunch will be served at the iconic Hawthorne Hotel, after which travelers will walk over to the Peabody Essex Museum.

Private guides will lead the participants through the exhibition, the first exhibition to explore the art, image and personal style of one of America’s most iconic artists.  O’Keeffe’s understated and carefully designed garments, many never before exhibited, are presented alongside photographs of her, and paintings by her, illuminating O’Keeffe’s unified modernist aesthetic and distinctive self-styling.

georgia-okeeffeFor more than 70 years, O’Keeffe shaped her public persona, defied labels and carved out a truly progressive, independent life in order to create her art. Her aesthetic legacy — compact masses, organic silhouettes, minimal ornamentation, and restrained color palettes — continues to capture the popular imagination and inspire leading designers and tastemakers of our day.  Organized by the Brooklyn Museum, this multi-disciplinary exhibition is the first to focus on the relationship between O’Keeffe’s art and her personal style, including how she was captured on film by the outstanding photographers of her day (including Ansel Adams and O’Keeffe’s husband, Alfred Stiglitz.)

There will be time to explore the exhibition after the tour, and to visit other parts of the museum, including the Peabody Essex Museum’s famed Chinese House: Yin Yu Tang.  The return trip to Vermont will have participants home in the evening.

Georgia 3Goodspeed and Bach Trip Director Deb Flanders will manage the trip which includes entrance to the Peabody Essex Museum, lunch at historic Hawthorne Hotel: appetizer, entrée, dessert and coffee; private guided tour of the exhibition; ticket entrance to the entire museum; tour host and tour manager, luxury motor coach transportation with departures from Burlington and Jeffersonville; gratuity for bus driver and trip manager.

For those interested in giving this trip as a gift, Bryan Memorial Gallery has specifically designed gift certificates available.

To register, go on line to www.bryangallery.org/events.

Courthouse Update / August 21, 2017 / The Day of the Eclipse

Jeanette Fournier "Song of Spring"
Jeanette Fournier “Song of Spring”

On this auspicious date, Bryan Memorial Gallery’s curators installed the Second Segment of Vermont Landscapes at the Lamoille County Courthouse in Hyde Park. It had been seven months since the prior installation, which was well received to the point that the Courthouse invited Bryan Memorial Gallery to refresh and re-install the paintings, with some more appropriate for the fall and winter months ahead.

So on a day when just about everyone was giddy about the Eclipse of the Moon, Gallery Manager Tom Waters filled his truck with 37 paintings by 18 artists and returned to the now familiar but still hallowed halls of the Courthouse. Among the artists were three watercolorists new to this show: Lisa Forster Beach of Stowe, Kathrena Ravenhorst-Adams of

Kathrena Ravenhost-Adams "Winter on the Farm"
Kathrena Ravenhost-Adams “Winter on the Farm”

Northfield and Jeanette Fournier of Littleton, New Hampshire. Most of the artists previously in the exhibit had returned with new paintings.   Some didn’t have new work to offer, which presented the curators with their first challenge – to make that which was not new look new.

Here is where the flexibility and majesty of the Lamoille County Courthouse comes into play. The building sings. It is lyrical to the point that a painting can be moved and look as good in the second space as it did in the first. It can even look new all over again. Different lighting or wall color can contribute to the viewer’s observation of something they hadn’t seen in the painting the first time.

Lisa Forster Beach "Golden Vermont"
Lisa Forster Beach “Golden Vermont”

With the last installation, the curators had noted that paintings with animals in them had a particular fascination for some of the Courthouse guests, and so they made sure there were several more this time, including two bright bird paintings by Jeanette Fournier. Many of the artists offered paintings of fall and winter scenes: Marilyn James’ “October,” Lisa Beach’s “Golden Vermont,” and John Clarke Olson’s “Winter Barns,” among them.

For us at Bryan Gallery, returning to the Courthouse felt like familiar experience, like an extension of what we normally do, adding a special dimension to the Day of the Eclipse.   Many people will remember this day for a long time, but especially for us at Bryan Memorial Gallery, we will remember the particular satisfaction of returning to the Courthouse to share artwork and artists with a wider community.

More photos and the original post of the Courthouse Gallery can be found here.

Dianne Panarelli Miller and Her Students

by Mickey Myers

Bryan Memorial Gallery presents Dianne Panarelli Miller and Her Students in its Middle Room this summer. 25 paintings by Miller and paintings by 9 of her students are included in the exhibit.

DianneDianne Panarelli Miller, a native of Massachusetts, has been painting since studying at the late commercial art school, Vesper George, in Boston.  One of the last graduates of the school (1983), Miller went on to attend the Ives Gammel Atelier formed by some of the former Vesper George faculty, specifically Robert Douglas Hunter and Robert Cormier.  Her five year atelier education led her to parlay the classic atelier training of the “Boston School,” including a mastery of oil painting technique, with her own personal style, expressed through the harmony of color and design.  When her formal education concluded, Dianne continued.

Painting tirelessly for 35 more years, neither the birth of her daughter nor her employment as a bartender for 17 years distracted her from painting “en plein air,” in natural light, every day.  Her tenacious approach has earned her the distinction as “a Copley Master” at Boston’s legendary Copley Society, in addition to numerous awards.

From her mentors, Miller developed a love of teaching and mentoring herself.  In addition to teaching classes through the South Shore Art Center in Cohasset, MA, Miller offers private painting instruction and provides opportunities for painting trips both in New England and farther afield, including Florida and Europe.  Recently she has returned from painting in Spain with a group of her private students.  MillerSundown

Miller originally came to Bryan Gallery’s attention through the New England Plein Air Painters.  She joined us in 2016 as one of the students in the exhibition ROBERT DOUGLAS HUNTER AND HIS STUDENTS.  Bryan Gallery has been exploring the relationship among students and teachers, particularly when the teacher’s reputation as an artist extends far beyond the classroom.  In getting to know Miller, it became clear that her distinct style of mentoring, including almost daily trips to paint outdoors, regardless of weather, up and down the East Coast, was to be explored.

MillerUpperPleasantValley

In addition to her work in plein air, Miller teaches and is commissioned forportrait work, and also for wedding in situ paintings.  As she has said of herself, “Never one to take the easy way out,” Miller’s boundless energy propels her into a wide spectrum of locations, always working with and encouraging others.  She has said of herself that she can hear the voice of her mentor Robert Douglas Hunter in everything she teaches, as she passes on the lessons that re-shaped her life and her art.

MillerOuttoPastureCurator’s Note:  Dianne Panarelli Miller has painted in many locations in preparation for this exhibit, including familiar situations in Lamoille County, Vermont, where she visited with her students a few months prior to the exhibition.  Subsequently she has returned twice for more plein air sessions.  She is a friendly figure outdoors  in front of an easel, known to carry on a banter with passers-by without taking her eyes off the canvas.  She’s also known to paint a passer-by into a painting, which she reports doing in particular at the beach.  Beach-goers will pass her and on their return, she’ll say, “By the way, you made it into my painting.”  Likewise at weddings, she not only involves the guests by depicting them on her canvas, but also she asks them to make a few strokes of color on the painting, under her direction, so it becomes a genuine keepsake for the new family.

Students of Dianne Panarelli Miller in the exhibit:
Lauren Bass
Bob Beaulieu
Maureen Brookfield
Cheryl Curran
Rita Delvechio
Margaret Finnegan
Ellen Little
Dottie Pentheny
Kate Sotolova

FRANK MASON IN VERMONT: Artist and Teacher

– Mickey Myers

Bryan Memorial Gallery presents FRANK MASON IN VERMONT: Artist and Teacher in its Main Gallery this summer.  22 paintings by Mason and 60 paintings by students he taught in Vermont workshops over 40 years will be included in the exhibit.

Frank Mason (1921 -2009) was a classical realist painter of international repute and a beloved instructor at the Art Students League in New York City for over fifty years.  If he had done nothing else he would have found his place in American Art History by virtue of his teaching classical realism with steadfast purpose through the era of abstract expressionism.  Early in his life, however, he had the singular distinction of studying with Frank Vincent DuMond (1865 – 1951), who set him on course as both a painter and a teacher.

DuMond taught Mason not only classical skills, but also the cadence of his life, spending summers in Vermont, painting the atmosphere.  Though ultimately their works were distinctly their own, Mason assumed the “Mantel of the Masters,” offering his students the opportunity to study painting “en plein air” with him in Vermont during the month of June from 1968 until shortly before his death in 2009.

Smuggler's Notch
Frank Mason – Smuggler’s Notch

Mason was completely at home in the environs of Stowe, Lamoille County and Peacham VT, surrounded by students at their easels along dirt roads, often in a downpour.   Their loyalty to him and his ideas about painting has lasted throughout many of their lifetimes, as evidenced not only in their artwork, but also as many continue to meet in Vermont for the month of June, painting together daily and critiquing each other’s works, to this day.

Frank Mason - Peacham Orchard
Frank Mason – Peacham Orchard

To open the exhibition, Mason’s nephew, Scott Mason, will speak on the Bryan Gallery’s Artists Roundtable, Sunday, July 2 at 1 PM.  Mason’s widow, Anne, will be in attendance at the Roundtable and the opening reception for the exhibit.

Frank Mason will be the subject of a feature article in the July/August issue of American Art Review: Frank Mason in Vermont: Artist and Teacher by Mickey Myers, Executive Director of Bryan Memorial Gallery and co-curator of this exhibition.

Frank Mason - Forest Retreat
Frank Mason – Forest Retreat

This exhibit was co-curated by Bryan Gallery Executive Director Mickey Myers and the gallery’s Exhibitions Chair, Fiona Cooper Fenwick.

Bryan Memorial Gallery is at 180 Main Street, Jeffersonville, VT.  802-644-5100.  A digital preview of this exhibit can be seen at www.bryangallery.org after June 29.  Summer gallery hours:  Open daily, 11 – 5.

Curator’s Note:  Frank Mason painted massive classically realist canvases, portraits, still lifes and landscapes.  His landscapes painted in Vermont and elsewhere in New England possess a particular atmosphere, relaxed and pungent with rich coloration and the lavish effect of the passage of light across a scene.

His work came to Bryan Gallery’s attention through its Exhibitions Chair, Fiona Cooper Fenwick, who studied with him over the last several summers of his life, and who continues to meet with other Mason students in Vermont each June.  Last summer (2016) she served as the “monitor” in setting up all the locations for the group painting in Vermont.

In 2015 when Bryan Gallery was preparing for the exhibit GENERATIONS, featuring the paintings of many artists and their teachers, Cooper brought a painting by Mason, and one also by DuMond to include in the show.  So captivating was the GENERATIONS exhibit (summer, 2015) that Bryan Gallery has pursued the concept of featuring just one teacher, to show how influential a great teacher can be.  In summer 2016 the works of Robert Douglas Hunter and a selection of his students were featured in the main gallery.

For the Mason exhibit, his widow, Anne Mason, who still resides in the Mason loft in Little Italy, has advised the curators and generously made the works available to Bryan Memorial Gallery.  Scott Mason, Mason’s nephew and executor of Mason’s Estate, has assisted in curatorial matters as well and will speak at the opening of the exhibit.

Frank Mason - Dawn Fantasy
Frank Mason – Dawn Fantasy

Travels with Bryan Memorial Gallery

By Mickey Myers, Executive Director

Though we travel the world over to find the beautiful, we must carry it with us or we find it not.

I’ve always loved this quotation by Ralph Waldo Emerson, ever since first coming across it in the days when travel was but a dream.  There was something about its impetus to find beauty in the ordinary that stirred my stay-at-home soul, sending my imagination soaring whenever I read it.

Like everything else, travel means different things to different people: business trips, family vacations, destination events, finding new places to paint and escape from just about anything. At the conclusion of these winter months, there are days when it seems that everyone is going somewhere, even for just a change of winter scenery.

This year, travel seems to be a theme among many things we are doing at the gallery.  We didn’t really plan it this way, but it developed out of exhibits we wanted to offer and programs we considered providing.  All of a sudden, we found ourselves with a thread of an idea, twisting through the programs on the schedule, and the theme of travel was born.

The travel theme has landed squarely in three major Bryan Gallery undertakings.  They are:

TMNicholas_ItalianHarborTraveling Artists, the Main Gallery exhibit, opening May 4 through June 25.  When originally suggested, we wondered if we could get any of our artists to share their travel pictures, and after we announced this exhibit were we surprised, in fact dumbfounded!  There were more entries to this exhibit’s jury than to most exhibit juries, and the countries represented were more far away and exotic than ever, some we had not heard of:  from Provence to Portugal, from Croatia to Argentina, to the Kjollefjord, the Black Desert in Egypt, to Myanmar.  Traveling Artists will take you around the world several times over. To say the least, our bucket list just grew in response to the checklist for this exhibit.

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Chagall: Colour and Music:  Little did we expect when we looked around to see “what’s playing” nearby, that the largest exhibit of Marc Chagall’s work ever mounted in Canada was a bus trip away at the Museum of Fine Arts in Montreal.  Remember when Charlie Nardozzi came last year to speak about the gallery’s ROMANCING THE GARDEN exhibition?  He dazzled us with the story of his upcoming trip to the gardens of the British Isles and one of our board members took the trip with him.  She came back, singing the praises of Goodspeed and Bach, the Burlington-based travel company that organized the trip.  So we approached G + B, and we’re going to Montreal.  Deb Flanders of Goodspeed and Bach is planning our trip and coming with us, and I’ll go along to fill in with stories about Chagall – a man of many countries, many talents and many colours – spelled the international way.  The trip is May 23.

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Frank Mason:  Artist and Teacher:  Frank Mason (1921 – 2009) left his mark on art and artists in so many varied ways, it is a toss up to know where to begin his story.  In Vermont, however, we can begin his story in Vermont.  Frank loved Vermont.  He loved to teach in Vermont.  He considered the rolling vistas perfect for how he wanted his New York City-based Art Students League students to think about landscape and paint landscape.  So every June for 40 years, Frank and his Art Students League students would come to paint for the month in Vermont.  It created such a momentum that today, 8 years after his death, the students – now many established painters – are coming to the same rural communities to paint in a group.  Vermont and its mystical perspective does it again.  This exhibit represents travel from the point of view of the destination, which Vermont wears proudly.  22 of Mason’s Vermont paintings will hang alongside the works of at least 40 of his students.

L476_Goodrich Silos, Peacham, VT

Finally, as the year comes to a conclusion around the various holidays, an exhibit is in the planning stages that represents a different kind of travel – the travel of the imagination – the twilight zone.  Fantastical Landscapes and Imaginary Places (November 9 – December 30) will represent works, limited only by the dreams of our artists.  More will be available about this exhibit soon.

So this exhibition year will conclude as it is starting, with visits to places that are new to us:  new landscapes, new light, new terrain, new ideas, with the thread of skill, tying it altogether.